massive electro house peaktime monster, incl. deeper tech house remix by nicolas stefan (kompakt / karatemusik)

fine arranged melodies from multiple sound sources, as stated in his biography, are the building blocks of which daniel mehlhart considers to be the essence of good music. putting what he preaches into practice has affirmed the 22-year-old swiss born, frankfurt am main resident, as one of the most exciting new talents in the underground tech-house movement. his most acclaimed release was the harp-tinged origami, released last summer on kindisch, which catapulted him into the record bags and charts of a slew of seasoned djs during the end of last summer. >scharade< is an example of young daniel sticking to what he does best, mixing and blending techno. atmospheres and sonic images while still animating an organic and natural vibe over the tracks. liberal amounts of percussion and a middle eastern or asian vocal dramatically pitched this tune beyond recognition watermark with a style and a vibe that he has helped to advance. the house roots of >distracted conscience< are present right from the onset. using a double pump kick to inject a pinch more of energy into the already flourishing habitat of off-kilter and spooky sound effects. so many in fact it is easy to see how he came up with the name, >distracted conscience<, as there are more effects floating around in this track than thoughts in the head of an 8-year-old who forgot his daily dose of ritalin. he turns to an ethnic vocal on >alura< again, but keeping the overall mood of this outing a bit deeper. he pulls out even more percussion instruments including extra shakers, toms and bongos all marching along harmoniously. this is a head down, hands-up, side-to-side bopper that just keeps quietly elevating as subtle elements are added and subtracted throughout the duration of the tune. a coherent composition and dj tool all in one. although this is his second release there are no signs of a sophomore slump anywhere in site, as daniel mehlharts talent lies in his unique, but subtle ability to gel different eleme

already supported by johnny d., someone else, laurent garnier, jennifer cardini, florian meindl, david keno.. erich lesovsky is the newest addition to stil vor talents exciting artist roster. here comes someone who is totally fascinated and absorbed by technology, someone who only performs as a live act in the clubs and - in the time of digital machinery - still works on constructing his own devices to make music with. after singles for wba and keno records, it is now the time for his first release on oliver koletzkis stil vor talent imprint and mr. lesovsky is very happy to be part of the family. so are we, of course! not only, but also because his first ep is a killer display of musical wizardry. it stars off with >bell a donna<, a minimal funk-laden piece of music that is mainly based on some crisp beats, many warm effects and sounds and a melody so simple, yet so encapsulating to capture the heart of every dancer in the club. this is oldskool minimal funk at its best! next up is >93 percent<, a title that might be misleading at first, because this track sounds more like 150 percent really. a great loop made of fidgety techno hi-hats and some wonderful warm analogue sounds - this could well be termed a new form of fidget techno. last up is >riot beatz<, an experimental display of minimal sound design, yet still very danceable. lots of crystal bashing beats, a pumping bass and many little effects - this will definitely be one for the dancefloor in the morning hours. not only does e. lesovsky seem a master of sound, his expertise seems to cover the perfect creation of warm, yet basic tech anthems and his influences seem to come from all sorts of musical directions, from hip-hop to funk to house back to techno. it is the easiness with which he delivers his music that makes his sound designs so special!

played by: masomenos, laurent garnier, atjazz, charles webster, tigerstripes, shur-i-kan, , solomun, mihalis safras, martin eyerer, ivan smagghe, john acquaviva,?after releases on farbenfroh, con:takt and fullscale the youngster timo huehner makes his first contribution to the bcbtec department with an ep coming along so fresh and crisp that it should be no big deal for him to follow the success of label mates like sebastian lutz, mikel mckay and the molisans brothers. the 21 year old student is driven by an uncompromising and deep passion for electronic music which you can feel in every single beat of this fine three tracker: groove swatter >any one< takes the lead on the a-side with cool cut up vocals, followed by >attentione< stomping ahead with elegant functionality. on the b-side >triple hau< is another fine example of state of the art tech house: frisky stuff for adlib fetishists

deep atmospheric tech-house excursion, incl ray okpara remix - big gregor tresher fave...

supported by misjah, koen groenefeld, oscar and liz cirelli !! damm records is a new label from north germany and starts with the debut of newcomer josh!! he combines driven minimal techno & tech-house with some melodic synth workouts and a more deeper glanz & ledwa remix!! check

incl oliver $ & dj chernobyl rmxs !! chicago influenced electro / tech bouncer

classic tech 3 tracker!! originally released in 2000!

part 1 of the new double-release from tiefschwarz aims at the heart of house music: soul. “on&on” is a first-class arranged club track. starting off with a wonderful mellow theme, that is adumbrated by the bass line in an one-and-a-half minute long exposition. the track ups the tempo with an additional hi-hat resolving into a shuffle beat. in double time, we move on towards the first break. here an edgy, minor key-chord sequence is introduced, making it obvious for everyone, that this track is gonna take off. eventually the keys function as a counterpoint to the classic bass line. a four-to-the-floor “on&on” vocal sample takes over after the break, adding another percussive aspect. as the track goes on a mulitiplicity of side elements sets in - no room for tediousness! in the end the “on&on” vocals resolve into “it’s so simple… . who knows, but this could be a broad hint to all the tech-house academics out there. no matter what, this grande finale raises a smile from every last sweaty soul on the dancefloor. with “best inn” on the b-side tiefschwarz create a dance classic, dressed in 2009 fashion. reminiscent of long gone nu-groove times, a traditional house beat - including a tiny off-beat tinker bell - blasts out of the speakers. a slured synth-organ provides the track with that certain edgyness. here, the brothers keep it laid-back yet exciting at the same time. this piece goes on and on and on - and you yourself run alongside, not wanting to pause. but watch out! at the latest in the second break, tiefschwarz put nostalgia to the test via some shockingly muffled metal drums. one of these moments, where you wish yourself back into the middle of an eight-hour deep-house set in 1992. the train departs. one thrillingly beautiful landscape after another runs by, until the warm sun strokes of the south suddenly rouse you out of slumber. arrived

ian pooley makes his debut appearance on simple to kick start what is shaping up to be a bumper year for the label. german ian pooley hails from mainz but recently found a new home in berlin. ian is well known as a remixer and for his own prolific output bridging the gap between techno and house, creating superb tracks such as the massive >celtic cross< & >chord memory< on the force inc. music works, as well as recording more housier and disco orientated workouts for labels such as john acquavivas definitive recordings, effective records and nrk sound division. ian has also remixed for daft punk, the cardigans, the beloved, green velvet, modjo, nick holder and many more. ian has recorded two albums for v2 records, his debut >meridian< was a classic late 90s pooley album, full of tech-house delights and including the massive >whats your number< as remixed by jazzanova and bob sinclair. followed by huge albums >souveniers< and >since then<, and most recently >in other words< featuring robert owens, tim fuller and perry colo. most recently hes been busy djing across the globe, producing new music for the likes of us and producing for artists such as get physicals dj t. nightscape - a deep, heads down house groove that locks you in with its lovingly crafted percussion and beautifully bouncy bassline, whilst the wistful, melancholic pads are food for the soul. ians experience in production shines throughout the ep, making the tracks as much of a delight on the head phones as they are on a function one soundsystem. difference (jupiter/eight mixes) - intricate percussive rhythms combine with a rubbery bassline and rich poly stabs to set the tone. strings build and release the tension and a delicate piano riff brings the soul. the evolution of the patterns sees a heady crescendo for the floor. for the >eight mix< ian reworks the stabs and bass-line and pushes out a more straight ahead groove

nach dem erfolgreichem siebenten release von rundfunk3000 folgt nun der nächste streich unseres label aus dem land der tausend seen. acker nummer acht! diesmal kommt sie von andre crom und seinem co produzenten luca doobie aus italien. andre crom ist bekannt durch seine veröffentlichungen auf sender, leftroom, liebe & detail records und seinen eigenen labels off und heimatmelodie records. ihr letztes release auf off records wurde unteranderem von matt john, kabale und liebe, dave ellesmere, .... supported. >dialogues< auf der a seite ist ein sehr clubiger perkusiver tech-house track und >surfing< auf der flip lädt mit seinen rockig funkigen guitar riffs zum wellenreiten ein

chris lake is back with a bang. remixes come from a raft of highly acclaimed artists. atfc delivers a tribal and funky take, bringing out the percussive elements while keeping the strength of the original behind it. feed me excel with a dance-floor penetrating version that sits right within the blossoming electro sound of the moment. choosing to keep both the vocals and piano chords whilst adding a pounding, searing synth line. finally hardwell & rehab deliver their own minimal interpretation of delayed hats and vocal teasers, perfect for the tech lead dance floors

excellent minimal tribal / tech-house action

2004 experimental electro/tech tracks by warlock!!

strong groovy tech-house monster from the wellknown spanish top producers & djs nick & danny chatelain. including massive remix by the man of the moment mastiksoul (4kenzo rec)! limited special white vinyl edition!!!dj support by dubfire, carl cox (great funky deep beats that keeps you grooving all the way. wicked!!), bad boy bill, eddie amador, joy kitikonti and many more...

banging 1999 tech tracks!!

fantastic uplifting minimal-tech ep by paolo bolognesi, known from big italian radio-station m2o.

electro legend dynamix ii (just give the dj a break) produce 2 pieces of pure industrialized high-tech funk. we bow down and pledge our allegiance!

another dose of pure high-tech funk delivered by muti music - somewhere between electro and breakbeat.

big brothers vibe rmx / ltd one side vinyl only release !! 14 min pure deep detroitish minimal tech house tribal stuff !! supported by: loco dice, daniel bell, cassy, jus-ed, raresh, julietta, luciano, serafin, andre galuzzi etc… // ltd repress !!

pdd are proud to present the world famous nrk recordings hailing from bristol the home to many ground breaking artists. audio soul project aka mazi namvar, returns to the nrk fold with a new single. featuring nathan drew larsen on vocals, dont sleep also features remixes from vincenzo and scope. the breathy vocals of long time asp collaborator, nathan drew larsen, gets encased in a tasty chugging tech workout on the original mix

fresh inspiring minimal techno / techhouse .the a side is for sergio parrado, who offer us, a tech-house track, direct to the dance floor. tanto mini me vuelve maxi is one of those atemporal tracks, with a powerful and groove bass, crispy synths, awesome efx and a melody that twists itself in a surprising way. a long duration track ready for the more demanding dancefloor. on the bside, we meet 2 tracks from the valencian guy oscar barila. the first one is anxiety, an authentic bomb that, with no doubt, we will listen to many of the big ones. the song has a phrenetic rythm, a wrecker groove and psychedelic and mutant synths, that convert the track in a mortal weapon for the peaktime. the second song of the b side is giro tutto, powerful and smart techno in constant evolution. its percusive rythm is adorned with an acid and bubbly synth that unleashes in 2 explosive breaks.

young up start and london based enfant terrible l vis 1990 engineers bass fuelled dance music designed to make your ears bleed! a pioneer of his own hyper bass sound, that sonically fuses aspects of dance music that have inspired him over the last 6 years ?garage, electro, b more, ghetto tech and drum & bass, his sound is unmistakable. the majority of the l vis 1990 ep was made on his laptop, on the 8am train commute from brighton to london, and finished off at the stereo mcss studio in brixton. further musical affiliates are sinden, herve, duke dumont, switch et al, as well as math head aka passions ny, philadelphias starkey, and early dubstep pioneer vex d (planet mu), the latter of whom spoke of l vis? change the game as a track that really struck a chord, totally made me think about new ways of doing shit...

banging 2003 tech tracks by ian lehmann!!

2001 classic portuguese tech tracks!!

ultraphat groovy minimal tribal tech

swedish producer pierre j aka hertz sends us his definition of high-tech funk in 4 variations. pumping, rolling, ready for the floor!

big latin workout with an exclusive vinyl mix by tom hafman.

paul woolfords intimacy music label is an outlet for his more experimental offerings. not limited by genre or expectation, intimacy music aims to deliver the highest caliber dancefloor techno and tech house while also proactively trying to surprise people with avant-guard productions for this latest offering woolford turns to longtime friend and production cohort, mat playford.

2 big names from the tiger family, koen groeneveld (wake turbulence, go around) and peter gelderblom (waiting for, trapped, feeling for you, ...) teamed up for a huge tech release on roxy records. fokker 126 is deep, dark, hypnotic and a must play on every quality dancefloor

king roc on part four of his series: a subtile gentle journey into deep modern tech-house sounds on the emotional tip. very fine produced stuff played by anja schneider / agoria / michel de hey / mr c / brothers vibe just to name a few

2002 percussive tech tracks made in sweden!!

banging upbuilding bassheavy minimal tech

once again luke hess shows us his love for deep & dubby tech nuggets! incl brian kage remix (beretta grey, monoid)

nice price deal !!! fantastic proggy & electro infected minimal tech-house ep!!

2003 classic!! techhouse/tech 2 tracker by ulysses!!

flight patterns is arthur oskan s follow up to his matrix debut >flashback<. flight patterns opens with the epic track aerial, a slowly building dance floor scorcher that secretly recalls the works of kraftwerk, vapourspace, and tangerine dream. aerial is sure to be a mainstay in your dj set for months to come. the flip side contains the deep tech-house aril brikha styled production that oskan has become known for on the track entitled stopover and the indescribable, yet funky synthesizer workout entitled more than space. flight patterns is another top production by one of toronto s best producers.

tripping & subtle dubbed out, stripped down & heavy minimalistic tech house rhythms tracks

phat bouncy tech house trax !! support by raresh, matthias tanzmann, djulz, anthony collins, brothers vibe, vera, dorian paic, federico molinari, shaun reeves, chris tiejen

big support from: gregor tresher, loco dice, sebo k, nick curly, 2000andone, mirko loco and agnes.... tsuba starts 2009 with a bang with the first 12inch release on the label from rising star okain. having debuted on tsuba in july 2008 on the digital only >tsuba samurai ep<, sam okain steps up with his first full release for the label and its a big one. the original of >717< is deep tech house with a killer groove and a warm tripped out riff - a great combination of light and dark touches which results in an edgy but very accessible track. for the remix djulz ups the tempo and adds a splash of techno, spine tingling keys and jacking bassline. loco dice featured the mix on his recent radio 1 essential mix. the deep house of >slow ride< completes an ep of the highest quality. + huge djulz remix.

wonky breakbeat infused tech-trax

excellent booty tech!!

rolling tech-phunk/elektro-techno - dave clarke playlist...

nice price deal !!! italian 4 track minimal tech madness!!

features nrk favourite miguel migs on the a side, with his super smooth disco funk licked house favourite >the jam< from 2001 (originally featured on the long out of print >soul selcta ep<) whilst another san francisco house specialist joshua gets to grips with his bottom end on >watch da bass<, a dub infused, skanking tech house

new label exclusive at decks.de / only vinyl -> no digital download !! strictly ltd to 300 copies, mastered by tph at schnittstelle / excellent debut by kollektiv ost with quality micro tech mover -> no nonsense, no mainstream, thats pure underground

reincarnations newest release is the debut for m for….! two very hot uk producers team up for the latest reincarnation slammer! this ep apltly entitled mfor01 is the first collaboration from indemand uk producers david wolstencroft and nick moore try to find who they are…. from the distorted congas of the deep larks head, through the bouncy bowline to the harsh tech sound of thief and taut-line hitch, this ep is pure club material! play it loud

great electro house bomb wtih some tech elements which reminds on mason and tocadisco!!

scaring us all the way from sofia, bulgeria spatula city is proud to present to you the technologically advanced technique of the one like the kink. snapping off his first spatula city release with three dancefloor scorchers, this record is not to be missed. jigga is just a straight up bassline balancing act that just drives. on dat funk and check he collaborates with eclectic vocal stylings of austin, txs j.a.m.o.n. both tunes are jump up flex on the floor devastators. kinks techy vibe and robotlike control over j.a.m.o.n.s vocals creates a sound unlike any other artist in the scene. his tech savvy jack infused style cannot be compared to. just when you think one of these tunes is going off the deep end, it turns around and jacks you right in the face! and...just for funks we had kink add two accapella tools which are super easy to mix and sound great over any jackin beats.